Growing up, I have read plenty of fairy tales, imagining those storied multiverses vividly. The colours and textures I visualised and sensed while reading those tales existed only in my mind. That was until I entered Bhumi Art Gallery last Sunday — the venue where “Epic Journey of a Migratory Bird”, the second solo painting exhibition by Syed Golam Dastagir, is on display.
Among the notable schedules, the "Sixth National Sculpture Exhibition" will run until January 20, while the month-long exhibition titled "2024: Oi Nutoner Keton Ore" will feature posters, paintings, photography, videography, and cartoons and conclude on January 17. Additionally, the National Pitha Festival will be held on the Academy grounds from January 24 to February 1.
While 2024’s July Revolution shook the showbiz industry, it still fights on in a battle of existence. What can we expect from various sectors of Entertainment in 2025?
Although theatrical productions continued into the early part of the year, political instability gradually reduced the frequency of performances. On July 19, "Anne Frank", a play by Mad Theatre, was supposed to be staged at the Experimental Theatre Hall of Shilpakala. However, the performance was cancelled due to the tense political situation. Soon after, the Academy shut down its auditoriums and rehearsal spaces, halting all activities. After nearly three months, theatre resumed on October 11 at the National Theatre Hall stage.
Today, on the 110th birth anniversary of Shilpacharya Zainul Abedin, we celebrate not only the artist but also the visionary whose profound contributions shaped modern Bangladeshi art that gave a voice to the voiceless.
The performance, organised by the Conservatory Cell of the Bangladesh Shilpakala Academy, will commence at 9pm and continue throughout the night.
With each artist contributing two paintings, the exhibition features 108 artworks spread across the well-lit gallery. While there is no singular theme, the collection underscores the intricacy and versatility of watercolour as a medium. Encompassing diverse subjects—from the seasons of Bangladesh to urban vignettes, rural landscapes, the July uprising, and abstract compositions—the exhibition offers a broad spectrum of artistic expressions.
Enakkhi Saha Roy, Ishrat Parveen Leena, and Ranjana Sayeed — a trio of visual artists driven by their love and passion for visual arts — are practicing artists whose second group exhibition, titled “Bindu”, is being hosted at Bhumi Art Gallery in Lalmatia. The inauguration event of the art exhibition took place on December 20, where painter Professor Emeritus Rafiqun Nabi graced the event as the chief guest. The exhibition was underway after the inaugural event consisting of performances of musicians from various genres.
Growing up, I have read plenty of fairy tales, imagining those storied multiverses vividly. The colours and textures I visualised and sensed while reading those tales existed only in my mind. That was until I entered Bhumi Art Gallery last Sunday — the venue where “Epic Journey of a Migratory Bird”, the second solo painting exhibition by Syed Golam Dastagir, is on display.
Among the notable schedules, the "Sixth National Sculpture Exhibition" will run until January 20, while the month-long exhibition titled "2024: Oi Nutoner Keton Ore" will feature posters, paintings, photography, videography, and cartoons and conclude on January 17. Additionally, the National Pitha Festival will be held on the Academy grounds from January 24 to February 1.
While 2024’s July Revolution shook the showbiz industry, it still fights on in a battle of existence. What can we expect from various sectors of Entertainment in 2025?
Although theatrical productions continued into the early part of the year, political instability gradually reduced the frequency of performances. On July 19, "Anne Frank", a play by Mad Theatre, was supposed to be staged at the Experimental Theatre Hall of Shilpakala. However, the performance was cancelled due to the tense political situation. Soon after, the Academy shut down its auditoriums and rehearsal spaces, halting all activities. After nearly three months, theatre resumed on October 11 at the National Theatre Hall stage.
Today, on the 110th birth anniversary of Shilpacharya Zainul Abedin, we celebrate not only the artist but also the visionary whose profound contributions shaped modern Bangladeshi art that gave a voice to the voiceless.
The performance, organised by the Conservatory Cell of the Bangladesh Shilpakala Academy, will commence at 9pm and continue throughout the night.
With each artist contributing two paintings, the exhibition features 108 artworks spread across the well-lit gallery. While there is no singular theme, the collection underscores the intricacy and versatility of watercolour as a medium. Encompassing diverse subjects—from the seasons of Bangladesh to urban vignettes, rural landscapes, the July uprising, and abstract compositions—the exhibition offers a broad spectrum of artistic expressions.
Enakkhi Saha Roy, Ishrat Parveen Leena, and Ranjana Sayeed — a trio of visual artists driven by their love and passion for visual arts — are practicing artists whose second group exhibition, titled “Bindu”, is being hosted at Bhumi Art Gallery in Lalmatia. The inauguration event of the art exhibition took place on December 20, where painter Professor Emeritus Rafiqun Nabi graced the event as the chief guest. The exhibition was underway after the inaugural event consisting of performances of musicians from various genres.
Bangladesh Shilpakala Academy has officially designated three of its auditoriums to theatrical performances. The academy’s Director General Syed Jamil Ahmed, announced that these auditoriums are being renamed. Speaking at an event held at the academy’s Experimental Theatre Hall yesterday, he further stated that the Experimental Theatre Hall will be opened for theatrical productions starting December 28.
In an unexpected move, two major festivals slated for Dhaka’s Army Stadium have been postponed due to security concerns and the sudden cancellation of venue bookings. The highly anticipated International Folk Music Festival and Bengal Foundation's Classical Music Festival have both been put on hold, leaving event organisers and attendees in uncertainty.
